I — 21:30
Descent
Light falls to 1900 K and gathers below eye-line, warm as a struck match. A bed of shaped noise, tuned once to your walls, takes the place of the street. The room begins to lean.
1900 K · 27 dB(A) · diffusion 17°
Instrument N°1 · Zürich
Nocturne N°1 is a bedside instrument that tunes a room's light and sound for sleep — and gives them back at dawn. Machined from a single billet. Numbered by hand. Built to be kept.
Sleep is not a soundtrack and not a switch — it is a room, kept. Nocturne keeps it in four movements, nightly, asking nothing of you.
I — 21:30
Light falls to 1900 K and gathers below eye-line, warm as a struck match. A bed of shaped noise, tuned once to your walls, takes the place of the street. The room begins to lean.
1900 K · 27 dB(A) · diffusion 17°
II — 23:30
The emitters close. Nocturne holds darkness the way a case holds an instrument — total, and careful. What sound remains sits beneath the threshold of waking, felt and then forgotten.
0 lm visible · masking −12 dB · standby 0.4 W
III — 03:00
If you wake, one touch of the crown returns a floor of dull ember — enough to see by, too little to be fully awake. No screen, no clock face. Nothing in the room is listening.
Touch-lit 8 lm · no microphone · no telemetry
IV — 06:10
Forty minutes of slow amber rising toward pale daylight, the masking thinning to silence on the same curve. You wake by light — the oldest alarm there is, and the kindest.
→ 5600 K · fade 40 min · zero alarm
Everything on the outside is worked on the inside. Nothing decorative, nothing hidden that you couldn't service yourself.
Fig. 02 — Exploded assembly, on axis
01 / The Crown
Press for light, turn for sound, hold for night. Knurled by a single-point tool in brass, indexed in half-degree clicks you can find in the dark without opening your eyes.
Brass · single-point knurl · 0.5° detents
02 / The Halo
Ninety-six emitters run a true blackbody track behind an edge-lit borosilicate dome. Light exits without edges, the way dusk exits a window — nowhere in particular, everywhere at once.
96 emitters · CRI 97 · borosilicate dome
03 / The Lattice
A wool-damped acoustic ring shapes noise to the resonances of your room, then holds still. It covers the street, the boiler, the neighbour — and never once asks to be heard.
Wool felt · room-measured · 20 Hz–20 kHz
04 / The Core
A shielded DSP drives the night, paired with a copper thermal mass so light fades the way a filament dies — in a curve, not a click. Standby draws less than a wristwatch.
Shielded DSP · copper mass · 0.4 W standby
05 / The Monocoque
The enclosure begins as one billet of EN AW-6082 and ends eleven hours later as a single uninterrupted surface — anodised, brushed along one grain, signed, and numbered.
EN AW-6082 · one billet · no visible fasteners
Nothing plated, nothing painted, nothing pretending to be something it is not.
Every surface of Nocturne is the material it appears to be. The finishes are the metal and the glass, left as they are — so the object ages the way an instrument should, toward you.
Deep anodyse, bead-blasted to a soft matte. Made to disappear into a darkened room.
Raw aluminium brushed along the grain and waxed by hand. Brightens with the years.
Heat-tinted steel base in burnt umber. The warm one, for colder rooms.
One instrument, one pair of hands, eleven hours. Every unit is benched twice before it is packed once.
N° 0214 ⁄ 0500
CHF 2,940
Series I · 500 pieces · fitting included
Nocturne N°1 is made in a first series of five hundred. Each is numbered, signed by its machinist, and delivered by hand where we can reach you — or by post, crated in wool, where we cannot.
In the fitting
No account. No app. No telemetry.
The instrument is the interface.